| 2020 |
ORIGIN OF THE SPECIES, feature documentary on robotics research. Music: Floyd Fisher & Hiraishi Hirokazu. (73 min)
|
| 2020 |
BLUE EDIT, experimental sound/image montage.(15min)
|
| 2017-2020 |
LA LUCHA [THE STRUGGLE], experimental film exploring 100 years of police brutality. (5min)
|
| 2017 |
ACTS & INTERMISSIONS (aka Emma's Party).
Music: Andrea Parkins. (60 min) |
| 2014 |
SALOME, commission for an opera.
Collaboration w/ Adeena Karasick and composer Frank London |
| 2014 |
VIS A VIS. b/w. 25 min. 16mm.
|
| 2013 |
UNBOUND, a hacked version of A Shape of Error, Scenes from the Life of Mary Shelley. (70 min).
Zeena Parkins, composer |
| 2013 |
ELSA, merdelamerdelamer, 3.5 min short on Baroness Elsa Von Freytag Loring-hoven
|
| 2012 |
A SHAPE OF ERROR, Feature film on Mary and Percy Shelley in form of imaginary home movies. (70 min). |
| 2011 |
THE SUBURBAN TRILOGY, prismatic feature inc.
Cake +Steak, Surf +Turf. The Future, film and dv (70 min) |
| 2011 |
RIDING THE TIGER: Songs from Capitalist China.(Feature) Digital Video
|
| 2010 |
HACKING EMPIRE, film and dv. single screen version of L'Impero Invertito
|
| 2010 |
L'IMPERO INVERTITO: 4 screen installation for Rome Academy April; also at Romanian Academy, Rome: June |
| 2009 |
IF I CAN SING A SONG ABOUT LIGATURES. Digital Video
w/ Nada Gordon (part of FOREIGN FILM SERIES)
|
| 2011 |
SURF AND TURF: Part 3. of The Suburban Trilogy. 16mm and Digital Video
|
| 2007 |
SCENE 28: Pingyao China (digital) for Dziga Vertov Project (Installation on Tour)
|
| 2007 |
On The Downlow. Dvcam to Beta. Abigail Child: Director, Producer, Editor; Arthur Jafa: Camera; Floyd Fisher: Music; Yael Bitton: Editing.
Reviews: Directors Spotlight (pdf); Four Short Reviews; divinecaroline.com review; divinecaroline.com/interview
|
| 2007 |
THE PARTY (digital). Editor: Yael Bitton + AC; Camera: Robert Banks+AC |
| 2006 |
MIRROR WORLDS Installation, includes Dark Dark and To And No Fro simultaneous projection. |
| 2006 |
Mirror World. 16mm to dvd. With Gary Sullivan (part of FOREIGN FILM SERIES) By Desire.
dvcam. 3-screen installation |
| 2006 |
BY DESIRE (digital) 3-screen installation |
| 2005 |
To And No Fro. 16mm
to dvd. With Monica de la Torre. (part of FOREIGN FILM SERIES) |
| 2004 |
The Future Is Behind You. 20
min. Film transferred to video. |
| 2004 |
Cake And Steak. 20min. Film
transferred to video. Premiered Oberhausen. Shown as single-channel and multiple-screen projections. Includes Where the Girls Are
and Blonde Fur. |
| 2003 |
The Milky Way. Projected
film installation version of 16 mm Dark
Dark. |
| 2002 |
Subtalk. Digital video
(with Eric Rosenzveig and Benton Bainbridge).
|
| 2001 |
Dark
Dark. Part 2 of How the World Works. Film (16 mm,
b/w, sound, 16:20 min.)
|
| 2000 |
Surface
Noise. Part 1 of How the World Works. Film (16 mm,
color and b/w, sound, 18 min.).
|
| 1999 |
Below
the New. Video. (High-8 and l6mm original, b/w and color,
sound, 25 min.)
|
| 1999 |
CATCH ME IF YOU CAN
(script w/ M. Ragona)
|
| 1998 |
Her Thirteenth Year.
Script (with Melissa Ragona).
|
| 1996 |
B/side.
Film (16 mm, color and b/w, sound, 40 min.).
|
| 1995 |
THROUGH THE LOOKING LASS (w/ L. Champagne)
|
| 1994 |
DINKINSVILLE (Video)
|
| 1993 |
SONGS (interactive video performance) w/B. Bainbridge, Vicky Funari + Ikue Mori
|
| 1993 |
8
Million. Video, with music by Ikue Mori (Super-8 film and
high-8 original, b/w and color, sound, 25 min.).
|
| 1991 |
SWAMP SONGS Video (with
Sarah Schulman; High-8, color, 25 min.)
|
| 1989 |
Mercy. Part 7 of
Is This What You Were Born For? Film.(l6mm,
color, sound, 10 min.)
|
| 1988 |
Both. Part 3 of Is
This What You Were Born For? Film.(l6mm,
b/w, silent 3.5 min.)
|
| 1987 |
Mayhem. Part 6 of Is
This What You Were Born For? Film (16 mm, b/w, sound, 20 min.).
|
| 1986 |
Perils. Part 4 of
Is This What You Were Born For? Film
(16 mm, b/w, sound, 5 min.).
|
| 1984 |
Covert Action. Part
5 of Is This What You Were Born For?
Film (16 mm, b/w, sound, 10 min.).
|
| 1983 |
Mutiny. Part 2 of
Is This What You Were Born For? Film.
(16 mm, b/w and color, sound, 11 min.).
|
| 1981 |
Prefaces. Part 1 of
Is This What You Were Born For? Film
(16 mm, b/w and color, sound, 10 min.).
|
| 1979 |
Ornamentals. Film (16
mm, silent).
|
| 1979 |
Pacific Far East Line. Film (16 mm, b/w and color, silent,
15 min.).
|
| 1978 |
Peripeteia II. Film
(16 mm, color, silent, 11 min.).
Daylight Test Section. Film (16 mm, color, silent, 4 min.).
|
| 1978 |
Daylight Test Section. Film (16 mm, color, silent, 4 min.).
|
| 1977 |
Peripeteia I. Film
(16 mm, color, silent, 10 min.).
|
| 1977 |
Some Exterior Presence. Film (16 mm, color, silent, 10 min.).
|
| 1975 |
Tar Garden. Film (16
mm, color, sound, 50 min.).
|
| 1973 |
Mother Movie. Film
(16 mm, color, sound, 5 min.).
|
| 1972 |
Game. Film (16 mm,
b/w, sound, 40 min.).
|
| 1970 |
Except the People.
Film (16 mm, color, sound, 20 min.).
|
